

Scroll down to view gallery
|
Lakeside Studio/Gallery PAYMENT METHODS:
We accept personal checks, money orders, Visa or MasterCard
Home |
| Eva Kwong |
| American, born 1954 |
Use arrows to view gallery
Click on thumbnail for larger image and more information
|
Opposites Attract XII
ceramic sculpture
11" x 3 1/2" x 5 1/2"
signed Kwong with spiral symbol on back
1987
$300.00
this seems to be Eva's homepage from Kent State University, where she
www.personal.kent.edu/~ekwong/index.htm
Here is an article from Carolina Arts
Carolina Arts
is published monthly by Shoestring Publishing Company,
a subsidiary of PSMG, Inc.
Copyright© 2000 by PSMG, Inc., which published Charleston Arts from July
1987 - Dec. 1994 and South Carolina Arts from Jan. 1995 - Dec. 1996. It
also publishes Carolina Arts Online, Copyright© 2000 by PSMG, Inc. All
rights reserved by PSMG, Inc. or by the authors of articles. Reproduction or use
without written permission is strictly prohibited. Carolina Arts is
available throughout North & South Carolina.
November Issue 2000
Compelling Forms of Eva Kwong at gallery W.D.O. in Charlotte
a conversation with Eva Kwong by Jeff Hull
Gallery
W.D.O. in Charlotte, NC, is showing an exhibit entitled, The Compelling Forms
of Eva Kwong: Ceramics and Sculpture, through Nov. 25, 2000.
If you have not had the opportunity to become familiar with the work of Eva
Kwong, you are certainly in for a treat when she shares her work with gallery
W.D.O. in Nov. Kwong's work is a true statement of one of the founding beliefs
of gallery W.D.O. - the ability to transform what could otherwise be simply a
functional object into a great work of art that not only serves its function but
also elicits emotional responses and tells a story of its own to those who
choose to listen. In a recent conversation with Kwong, I had the pleasure to
hear her thoughts on her work and to catch a glimpse of the inspiration behind
her work, particularly her series of vases that will be in the gallery.
First, I should tell you that a vase by Kwong is anything but traditional and
although you could describe it as unusual, I think that the term extraordinary
is much more appropriate. When asked to describe the series, Kwong explains that
her desire from the beginning was to create a piece, a vessel if you will, that
is intriguing to look at on its own - not for the sake of the beauty of the
flowers it may contain, but for the energy it radiates itself. In fact, she
feels that many of her vases work best with one single flower. This feeling
comes in part from Kwong's interest in Japanese gardens and flower arrangements
where the understated elegance of minimalism becomes integral to the beauty of
the environment. " I have a strong desire to create within each piece the
fluidity of movement and phenomena of color that exists all around in our
everyday lives."
One inspiration of Kwong's that I found particularly charming is an experience I
believe we can all relate to and it amazes me to see the results of her
inquisitive mind in her work, after hearing her story. " Much of my work is very
organic and almost similar to what you might expect to view through a
microscope. One evening while repeating to my children again why they must eat
the vegetables that they might not like and again ensuring them that they must
eat them because they are good for them, it occurred to me that I was suddenly
unaware why we must eat these vegetables and more specifically what function
they performed in our bodies. I began to imagine the inner workings of our
bodies and all of its encompassing parts. I became fascinated with the thought
of these colorful vegetables coursing throughout the highways of our bodies as
they journey to a destination where they will eventually perform the appropriate
function. I found myself so awe-inspired by this image that began with a child's
question that it has influenced the movement, rhythm and inner-logic within my
work. Although my children still do not want to eat their vegetables, I remain
inspired by the concept."